Beauty and Practicality in the World of Design: A Journey through Aesthetics and Functionality

Ofri Weintraub (Cohen)
January 13, 2025
Editing: Maayan Boni
Uncategorized
וונדל קסטל, שולחן. צילום Adam Reich. באדיבות גלריה Friedman Benda ו-Wendell Castle Inc
וונדל קסטל, שולחן. צילום Adam Reich. באדיבות גלריה Friedman Benda ו-Wendell Castle Inc

How do we define beauty in design, and where does functionality come into play?

In other words, is it more important for the armchair we choose for our living room to be a stunning piece of design, or should we prioritize its ability to provide a comfortable spot to sink into after a hectic weekend? This question has resonated in the design world for generations, encapsulating the timeless dialogue between aesthetics and practicality.

“Beauty is in the eye of the beholder,” as the old proverb goes. However, in design, beauty is deeply connected with user experience. Tracing the roots of this perception takes us back to ancient Greece, where the idea that true beauty embodies purpose and functionality was first conceived. This perspective continues to shape contemporary design theories to this day.

White sculptural bench seat, made from reused SLS 3D nylon powder waste.
Flow bench by Fabio Hendry made from reused SLS 3D nylon powder waste. Courtesey of Mercado Moderno Gallery

Couture with Pockets: A Dialogue Between Form and Function

Beauty and functionality in design are like the unlikely couple in a romantic comedy: constantly at odds, yet somehow perfectly complementary. Beauty in design isn’t confined to visual appeal; it takes on a broader significance through the emotional and experiential connections it fosters with the user. We can find beauty in simple objects, like a stone picked up from a beach and given as a gift, imbued with meaningful memories. Their beauty doesn’t necessarily stem from their appearance but from the stories and emotions they evoke.

Similarly, beauty in design—like in life—isn’t just about what the eye perceives but also about what the heart feels. Design is a subjective experience, weaving together memories and meaning, leaving a lasting impression long after the initial visual impact fades.

But where does functionality fit it? Here lies the real challenge: at home—where we seek comfort and security—we often expect design solutions to feel natural and seamlessly integrated. Yet, functionality is not the only criteria. Just as we might slip into high heels or don couture dresses for their aesthetic appeal, our design choices are deeply personal. What delights one person may displease another—the balance between beauty and utility is uniquely individual.

Acorn Shaped Box by Olga Treivas made with hand carved glass.
Acorn Shaped Box by Olga Treivas made with hand carved glass. Photography by Dmitry Sobolev, courtsey of Olga Treivas

Why Spend Ten Hours on a Chair That Can Be Made in Ten Minutes?

The Industrial Revolution marked a pivotal shift in design and manufacturing, introducing mass production and raising a fundamental question: If we can achieve quality results quickly and efficiently, why invest painstaking hours in craftsmanship? The transition from handcrafted to industrial production emphasized process efficiency over product beauty.This fusion of utility and beauty became fundamental to modern design.

Today, centuries later, we are in an era of craftsmanship revival. Handmade items, imbued with a human touch and a sense of direct connection with its makers, have become highly sought after objects. The price gap between mass-produced and handcrafted items is clear: On one hand, mass production lowers costs and makes design more accessible, while on the other hand, it diminishes the profound emotional resonance often inherent in handcrafted creations.

Design that reflects meticulous craftsmanship and the skill of an artisan embodies both uniqueness and character. While such pieces may not always be affordable, the cost is often one we are willing to embrace in exchange for possessing something truly exceptional—more than just an object, but a tangible narrative. Let’s be honest: there’s something undeniably captivating about knowing your coffee mug was lovingly shaped on a potter’s wheel by an artisan who pours passion into each creation, as opposed to one churned out by a machine in rapid succession, devoid of soul and human touch.

Armchair by Tino Seubert made from aluminum and intricately woven canes.
Armchair by Tino Seubert made from aluminum and intricately woven canes. Courtesey of Tino Seubert

Green Design: When the Match Between Beauty and Practicality Really Works

At times, opposites merge together into perfect harmony—and this is exactly what occurs when design meets ecological values. Products are conceived with a holistic approach—encompassing responsible production, sustainable materials, and principles of recycling and reuse. In this form of design, practicality and beauty evolve beyond their conventional meanings. Practicality is embedded throughout every stage of the product’s lifecycle, while beauty emerges in the seamless harmony between design and environmental stewardship.


Both commercial design brands and artisans are embracing solutions such as natural and sustainable materials or modular designs that allow for repair and upgrades.This trend not only cultivates a distinctive aesthetic but also serves as an important factor in securing the planet’s future. This philosophy places sustainability at the heart of the design process, connecting beauty and practicality with broader contexts of social and environmental responsibility. In a world where something as simple as a drinking straw can inflict irreversible damage, why not consider how our new table can stand the test of time?

Armchair by Domingos Totora, made from recycled cardboard
Semine Armchair by Domingos Totora, made from recycled cardboard. Courtsey of Gallery Mercado Moderno

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